Publications
RECENT PUBLICATIONS
Full publication lists and full texts for most publications can be found in the personal webpages of each member.
Forthcoming
Tsougras, C. & Cambouropoulos E. (forthcoming) Musical Texture, Voice and Auditory Streaming. In Handbuch Musikanalyse. Methode und Pluralität. Ariane Jeßulat, Oliver Schwab-Felisch, Jan Philipp Sprick und Christian Thorau (Eds), Bärenreiter-Verlag und Metzler-Verlag.2022
Kaliakatsos-Papakostas, M., Velenis, K., Pasias, L., Alexandraki, C., & Cambouropoulos, E. (2022) An HMM-Based Approach for Cross-Harmonization of Jazz Standards. Applied Sciences, 13(3), 1338. https://doi.org/10.3390/APP13031338Kaliakatsos-Papakostas, M., Velenis K., Giannos, K., & Cambouropoulos, E. (2022). Exploring Jazz Standards with Web Visualisation for Improvisation Training. Web Audio Conference 2022 (WAC 2022), Cannes, France. https://doi.org/10.5281/zenodo.6767946
Cambouropoulos, E. and Kaliakatsos-Papakostas, M. (2022) Symbolic Approaches and Methods for Analyzing Similarity. In Daniel Shanahan, John Ashley Burgoyne, and Ian Quinn (Eds.) The Oxford Handbook of Music and Corpus Studies, Oxford University Press. https://academic.oup.com/edited-volume/41992/chapter/371464146
2021
Cambouropoulos E. and Kaliakatsos-Papakostas M. Cognitive musicology and artificial intelligence: symbolic learning, deep knowledge, concept invention in harmony. In Handbook of Artificial Intelligence for Music, page (forthcoming). Springer, 2021.Athanasopoulos, G., Eerola, T., Lahdelma, I., & Kaliakatsos-Papakostas, M. (2021). Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music. PloS one, 16(1), e0244964.
Zacharakis, A., Kaliakatsos-Papakostas, M., Kalaitzidou, S., & Cambouropoulos, E. (2021). Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer. Frontiers in Psychology, 12, 322.
Cambouropoulos, E. and Kaliakatsos-Papakostas, M. (2021) Cognitive Musicology and Artificial Intelligence: Harmonic Analysis, learning and Generation. In Handbook for Artificial Intelligence in Music. E.R. Miranda (Ed). Springer. (PDF)
Zacharakis, A., Kaliakatsos-Papakostas, M., Kalaitzidou, S., & Cambouropoulos, E. (2021). Evaluating Human-Computer Co-creative Processes in Music: A Case Study on the CHAMELEON Melodic Harmonizer. Frontiers in Psychology, 12, 322. https://www.frontiersin.org/articles/10.3389/fpsyg.2021.603752/full
Cambouropoulos, E. (2021) Symbolic representation and processing of musical structure: stream segments, pitch interval patterns, general chord types. In Proceedings of the Special session “Culture and Computing, Interactive Cultural Heritage and Arts”, HCI International (HCII 2021), Springer. (PDF)
Giannos, K., Athanasopoulos, G. & Cambouropoulos, E. (2021). Cross-modal associations between consonant/dissonant harmonisations and visual stimuli. In Proceedings of the 16th International Conference on Music Perception and Cognition and 11th triennial conference of European Society for the Cognitive Sciences of Music (ICMPC16-ESCOM11).
Giannos, K., Athanasopoulos, G. & Cambouropoulos, E. (2021). Cross-modal associations between harmonic dissonance and visual roughness. Music and Science, 4. https://doi.org/10.1177/20592043211055484
Giannos, K. and Cambouropoulos, E. (2021) Symbolic Encoding of Simultaneities: Re-designing the General Chord Type Representation. In Proceedings of the 8th International Conference on Digital Libraries for Musicology (DLfM). Published in ACM ICPS as an Open Access publication. https://dlfm.web.ox.ac.uk/2021-programme
2020
Zacharakis, A., Kaliakatsos-Papakostas, M., Kalaitzidou, S., & Cambouropoulos, E. (2020). Computational assistance leads to increased outcome diversity in a melodic harmonisation task. In Proceedings of the International Conference on New Music Concepts, (pp. 61-67). Treviso, Italy.Zacharakis, A., Hayes, B., Saitis, C., & Pastiadis, K. (2020). Evidence for timbre space robustness to an uncontrolled online stimulus presentation.
Zacharakis, A., Kaliakatsos-Papakostas, M., Kalaitzidou, S., & Cambouropoulos, E. (2020) Good artists copy, great artists steal: strategies for creative exploitation of the CHAMELEON harmonisation assistant. In Proceedings of Sound and Music Computing Conference (SMC2020), (pp. 228-233). June, Torino, Italy
Zacharakis, A., Kaliakatsos-Papakostas, M., Kalaitzidou, S., & Cambouropoulos, E. (2020). Evaluation of computational creativity support in a melodic harmonisation task. International Journal of Music Science, Technology and Art, vol. 2(1), pp. 19-25.
2019
Kaliakatsos-Papakostas, M., & Cambouropoulos, E. (2019). Conceptual blending of high-level features and data-driven salience computation in melodic generation. Cognitive Systems Research, 58, 55-70.Caetano, M., Zacharakis, A., Barbancho, I., & Tardon, L. J. (2019). Leveraging diversity in computer-aided musical orchestration with an artificial immune system for multi-modal optimization. Swarm and Evolutionary Computation.
Kaliakatsos-Papakostas, M. (2019). Examining the Generation of New Melodies through Generative Conceptual Blending of High-Level Features, International Journal of Music Science, Technology and Art.
Kaliakatsos-Papakostas, M. (2019). Generative Conceptual Blending of High-Level Melodic Features: Shortcomings and Possible Improvements, International Conference on New Music Concepts (ICNMC), Treviso, Italy.
Meimaridou, E.C., Athanasopoulos, G. & Cambouropoulos E. (2019) Musical Gestures: An Empirical Study Exploring Associations between Dynamically Changing Sound Parameters of Granular Synthesis with Hand Movements. In Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), 14-18 October, Marseille, France.
2018
F. P. Kalaganis, D. A. Adamos, and N. A. Laskaris, "Musical NeuroPicks: A consumer-grade BCI for on-demand music streaming services," Neurocomputing, vol. 280, pp. 65–75, Mar. 2018.D. A. Adamos, N. Laskaris, and S. Micheloyannis, "Harnessing functional segregation across brain rhythms as a means to detect EEG oscillatory multiplexing during music listening," J. Neural Eng., vol. 15, Feb. 2018.
Queiroz, M., Peninta K., Bodo R.P.P., Kaliakatsos-Papakostas, M., & Cambouropoulos (2018) Perception of asymmetric rhythms in traditional Greek music. In Proceedings of the 8th International Workshop on Folk Music Analysis (FMA2018). Thessaloniki, Greece. http://fma2018.mus.auth.gr/proceedings.html
Zacharakis, A., & Pastiadis, K. (2018). Examining the Influence of Tone Inharmonicity on Felt Tension and Timbral Semantics. Timbre 2018: Timbre Is a Many-Splendored Thing.
Zacharakis, A., Pastiadis K., & Katsanevaki A. (2018). Tension perception in Greek traditional folk music: Examining the role of timbral semantics. In A. Holzapfel and A. Pikrakis (Eds.), Proceedings of the 8th International Workshop in Folk Music Analysis (FMA 2018).
Confalonieri, R., Pease, A., Schorlemmer, M., Besold, T. R., Kutz, O., Maclean, E., & Kaliakatsos-Papakostas, M. (Eds.). (2018). Concept invention: Foundations, implementation, social aspects and applications. Springer.
Kaliakatsos-Papakostas, M., Zacharakis, A., & Cambouropoulos, E. (2018). Conceptual Blending in Melodic Harmonisation: Development and Empirical Evaluation in the Case of the CHAMELEON System. In Concept Invention (pp. 241-274). Springer, Cham.
Stefanou, D. (2018). The Way We Blend: Rethinking Conceptual Integration Through Intermedial and Open-form Scores, Musicae Scientiae 22 (1), pp. 108-118.
Tsougras, C., & Stefanou, D. (2018). Embedded Blends and Meaning Construction in Modest Mussorgsky’s 'Pictures at an Exhibition', Musicae Scientiae 22 (1), pp. 38-56.
Zacharakis, A., Kaliakatsos-Papakostas, M., Tsougras, C., & Cambouropoulos, E. (2018). Musical Blending and Creativity: An Empirical Evaluation of the CHAMELEON Melodic Harmonisation Assistant, Musicae Scientiae 22 (1), pp. 119-144.
Kaliakatsos-Papakostas, M. (2018, April). Generating drum rhythms through data-driven conceptual blending of features and genetic algorithms. In International Conference on Computational Intelligence in Music, Sound, Art and Design (pp. 145-160). Springer, Cham.
2017
Kaliakatsos-Papakostas, M., Queiroz, M., Tsougras, C., & Cambouropoulos, E. (2017). Conceptual Blending of Harmonic Spaces for Creative Melodic Harmonisation. Journal of New Music Research, 46(4), 305-328.Zacharakis, A., Kaliakatsos-Papakostas, M., Tsougras, C., & Cambouropoulos, E., (2017). Creating musical cadences via conceptual blending: Empirical evaluation and enhancement of a formal model. Music Perception 35(2), 211-234.
Zacharakis, A., Terrell, M. J., Simpson, A. J.,
Pastiadis, K., Reiss J. D., (2017). Rearrangement of Timbre Space Due
To Background Noise: Behavioural Evidence and Acoustic Correlates, Acta
Acustica united with Acustica, 103(2), 288-298.
2016
Kaliakatsos-Papakostas M., Makris D., Tsougras C., Cambouropoulos E. (2016) Learning and creating novel harmonies in diverse musical idioms: An adaptive modular melodic harmonisation system. Journal of Creative Music Systems 1(1).
Kaliakatsos-Papakostas M., Confalonieri R., Corneli J.,
Zacharakis A., Cambouropoulos E. (2016) An argument-based creative
assistant for harmonic blending. Proceedings of the 7th International
Conference on Computational Creativity (ICCC 2016), Paris, France.
Kaliakatsos-Papakostas M., Zacharakis A., Tsougras K., and Cambouropoulos E. (2016) Modelling cadence perception via musical parameter tuning to perceptual data. Proceedings of the 12th IFIP International Conference on Artificial Intelligent Applicationsand Innovations (AIAI 2016), Thessaloniki, Greece.
Kaliakatsos-Papakostas M., Makris D., Zacharakis A., Tsougras K., and Cambouropoulos E. (2016) Learning and blending harmonies in the context of a melodic harmonisation assistant. Proceedings of the 12th IFIP International Conference on Artificial Intelligent Applicationsand Innovations (AIAI 2016), Thessaloniki, Greece.
Ζacharakis, A. & Pastiadis, K. (2016). Revisiting
the Luminance-Texture-Mass Model for Musical Timbre Semantics: A
Confirmatory Approach and Perspectives of Extension. Journal of the
Audio Engineering Society, 64, 636-645.
D. A. Adamos, S. I. Dimitriadis, and N. A. Laskaris, "Towards the bio-personalization of music recommendation systems: A single-sensor EEG biomarker of subjective music preference," Inf. Sci. (Ny)., vol. 343–344, pp. 94–108, 2016.
F. Kalaganis, D. A. Adamos, and N. Laskaris, "A consumer BCI for automated music evaluation within a popular on-demand music streaming service 'taking listener's brainwaves to extremes,'" in IFIP Advances in Information and Communication Technology, 2016, vol. 475, pp. 429–440.
2015
Stefanou D. (2015) Investigating Social Creativity and Concept Invention in Collaborative Musical Situations. Proceedings of the First International Conference on New Music Concepts, Treviso, Italy.
Cambouropoulos E. (2015) The Harmonic Musical Surface and Two Novel Chord Representation Schemes. In Computational Music Analysis, D. Meredith (ed.) Springer.
Makris D., Kaliakatsos-Papakostas M., and Cambouropoulos E.(2015): A probabilistic approach to determining bass voice leading in melodic harmonisation, Proceedings of the 5th Biennial International Conference on Mathematics and Computation in Music (MCM).
Tsougras K. and Stefanou D.(2015): Conceptual blending and meaning construction: A structural/hermeneutical analysis of the "Old Castle" from Mussorgsky's "Pictures at an Exhibition", Proceedings of the 9th Triennial Conference of the European Society for the Cognitive Science of Music (ESCOM).
Stefanou D. and Cambouropoulos E.(2015): Enriching the Blend: Creative Extensions to Social Blending in Music, Proceedings of the 9th Triennial Conference of the European Society for the Cognitive Science of Music (ESCOM).
Cambouropoulos E., Kaliakatsos-Papakostas M. and Tsougras K. (2015): Structural Blending of Harmonic Spaces: a Computational Approach, Proceedings of the 9th Triennial Conference of the European Society for the Cognitive Science of Music (ESCOM).
Eppe M., Confalonieri R., MacLean E., Kaliakatsos-Papakostas M., Cambouropoulos E., Schorlemmer M., Codescu M., Kuhnberger K.-U. (2015): "Computational invention of cadences and chord progressions by conceptual chord-blending", Proceeding of the International Joint Conference on Artificial Intelligence (IJCAI).
Kaliakatsos-Papakostas M., Zacharakis A., Tsougras C. and Cambouropoulos E. (2015): Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories, Proceedings of the 16th International Society for Music Information Retrieval (ISMIR) Conference.
Makris D., Kaliakatsos-Papakostas M. and Cambouropoulos E. (2015): Probabilistic Modular Bass Voice Leading in Melodic Harmonisation, Proceedings of the 16th International Society for Music Information Retrieval (ISMIR) Conference.
Zacharakis A., Kaliakatsos-Papakostas M., and Cambouropoulos E. (2015): Conceptual Blending in Music Cadences: a Formal Model and Subjective Evaluation, Proceedings of the 16th International Society for Music Information Retrieval (ISMIR) Conference.
Zacharakis A., Pastiadis K. and Reiss J. D. (2015): An Interlanguage Unification of Musical Timbre: Bridging Semantic, Perceptual, and Acoustic Dimensions, Music Perception, 32(4), pp. 394-412.
2014
Cambouropoulos E. , Kaliakatsos-Papakostas M., Kuhnberger K-U., Kutz O., Smaill A. (2014): Concept Invention and Music: Creating Novel Harmonies via Conceptual Blending. In Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM2014), 4-6 December 2014, Berlin, Germany.
Hadjileontiadis, L. J. (2014): Conceptual Blending in Biomusic Composition Space: The ''Brainswarm'' Paradigm. In Proceeding of the Joint 11th Sound and Music Computing Conference (SMC) and 40th International Computer Music Con- ference (ICMC), Athens, Greece.
Kaliakatsos-Papakostas M. and Cambouropoulos E. (2014): Probabilistic harmonisation with fixed intermediate chord constraints. In Proceeding of the Joint 11th Sound and Music Computing Conference (SMC) and 40th International Computer Music Conference (ICMC), Athens, Greece.
Cambouropoulos E., Kaliakatsos-Papakostas M. and Tsougras C., (2014): An Idiom-independent Representation of Chords for Computational Music Analysis and Generation. In Proceeding of the Joint 11th Sound and Music Computing Conference (SMC) and 40th International Computer Music Conference (ICMC), Athens, Greece.
Kaliakatsos-Papakostas M., Katsiavalos A., Tsougras C. and Cambouropoulos E. (2014): Harmony in the polyphonic songs of Epirus: Representation, Statistical Analysis and Generation. In Proceedings of the 4th International Workshop on Folk Music Analysis (FMA2014), Istanbul, Turkey 12-13 June 2014.
Schorlemmer M., Smaill A., Kuhnberger K.-U., Kutz O., Colton S., Cambouropoulos E., and Pease A. (2014): COINVENT: Towards a Computational Concept Invention Theory, 5th International Conference on Computational Creativity (ICCC), 10-13 June 2014, Lubljana, Slovenia.
Zacharakis A., Pastiadis K. and Reiss J. D. (2014): An interlanguage study of musical timbre semantic dimensions and their acoustic correlates, Music Perception, 31(4), pp. 339-358.
Schorlemmer M., Smaill A., Kuhnberger K.-U., Kutz O., Colton S., Cambouropoulos E. and Pease A (2014): COINVENT: Concept Invention Theory - Ontologies and Semantic Web Technologies for Concept Invention (extended abstract), EU Project Networking Session of the 11th European Semantic Web Conference (ESWC). 25-29 May 2014, Crete, Greece.
2013
Cambouropoulos, E., Katsiavalos, A., Tsougras C. (2013). Idiom-independent harmonic pattern recognition based on a novel chord transition representation. In Proceedings of the 3rd International Workshop on Folk Music Analysis (FMA2013). Amsterdam, 6-7 June 2013.
Fouloulis, T., Pikrakis, A. & Cambouropoulos, E. (2013). Traditional asymmetric rhythms: a refined model of meter induction based on asymmetric meter templates. In Proceedings of the 3rd International Workshop on Folk Music Analysis (FMA2013). Amsterdam, 6-7 June 2013.
Giraud, M. & Cambouropoulos, E. (2013). Fragmentations with pitch, rhythm and parallelism constraints for variation matching. In Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR 2013). Marseille, 15-18 October 2013.
Tsougras, C. (2013): Nikos Skalkottas' Theme & Variations piano works based on Greek folk melodies - An analytical and compositional approach. International Musicological Conference: The National Element in Music, Athens, 18-20 January 2013.
2012
Anagnostopoulou, C. and Cambouropoulos E. (2012). Semiotic Analysis and Computational Modelling: Two Case Studies on works by Debussy and Xenakis. In Music Semiotics: A Network of Significations (Ed. Esti Sheinberg), pp. 129-145, Ashgate Publishing Ltd, Surrey, UK.
Barton, C., Cambouropoulos, E., Iliopoulos, C.S., and Liptak, Z. (2012) Melodic String Matching Via Interval Consolidation and Fragmentation. In Proceedings of the 8th Artificial Intelligence and Innovations Conference (AIAI 2012) - Mining Humanistic Data Workshop. IFIP Advances in Information and Communication Technology, Vol. 382, pp. 460-469. Springer Publications.
Cambouropoulos, E. (2012) A Directional Interval Class Representation of Chord Transitions. In Proceedings of 12th International Conference for Music Perception and Cognition, & 8th Conference of the European Society for the Cognitive Sciences of Music, Thessaloniki Greece. 23-28 July 2012
Fouloulis T., Cambouropoulos, E. and Pikrakis A. (2012) Asymmetric beat/tactus: Investigating the perfomance of beat-tracking systems on traditional asymmetric rhythms. In Proceedings of the 12th International Conference for Music Perception and Cognition, & 8th Conference of the European Society for the Cognitive Sciences of Music, Thessaloniki Greece. 23-28 July 2012
Zacharakis, A., Pastiadis, K., Reiss, J.D., and Papadelis, G. (2012). Analysis of Musical Timbre Semantics through Metric and Non-Metric Data Reduction Techniques. In Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music, July 23-28 (pp. 1177-1182). Thessaloniki, Greece.
2011
Fouloulis, Th. & Cambouropoulos E. (2011) Investigation of the performance of beat-tracking systems on traditional Greek asymmetric rhythms. First International Workshop of Folk Music Analysis. University of Athens, 19-20 May 2011.
Peninta, K., Cambouropoulos, E. & Papadelis, G. (2011) Quantitative Investigation of Temporal Microdeviations in Traditional Greek Asymmetric Metres. First International Workshop of Folk Music Analysis. University of Athens, 19-20 May 2011.
Zacharakis, A., Pastiadis, K., Papadelis, G., & Reiss, J. (2011). An investigation of musical timbre: Uncovering salient semantic descriptors and perceptual dimensions. Proceedings of the 12th ISMIR Conference, Miami, USA
2010
Cambouropoulos, E. (2010) The Musical Surface: Challenging Basic Assumptions. Musicae Scientiae, Special Issue, pp. 131-148
Fouloulis A., Papadelis G., Pastiadis K., Papanikolaou G. (2010) Estimating Similarity of Musical Rhythm Patterns through the use of a Neural Network Model, DAGA 2010, 36 Deutsche Jahrestagung fur Akustik, March 15-18, 2010, Berlin
Tsougras, C. (2010). "The application of GTTM on 20th century modal music: Research based on the analysis of Yannis Constantinidis's 44 Greek miniatures for piano". Musicae Scientiae, Discussion Forum 5 [GTTM 25 years on], p. 157-194.
2009
Cambouropoulos, E. and Tsougras C. (2009) Auditory Streams in Ligeti's Continuum: A Theoretical and Perceptual Approach. Journal of Interdisciplinary Music Studies, 3(1&2): 119-137
Cambouropoulos, E. (2009) How Similar is Similar? Musicae Scientiae, Discussion Forum 4B: 7-24.
Rafailidis, D., Cambouropoulos, E. and Manolopoulos, Y. (2009) Musical Voice Integration/Segregation: VISA Revisited. In Proceedings of the 6th Sound and Music Computing Conference (SMC09), Porto, Portugal.
Tsougras, C. (2009). "Analysis of Early 20th-century Chromatic Modal Music with the use of the Generative Theory of Tonal Music - Pitch Space and Prolongational issues in selected Modal Idioms". Proceedings of the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music, (12-16 August 2009, Jyvaskyla, Finland), J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, P. Eerola (eds), p. 531-539.
2008
Alexandru, M., Tsougras, C. (2008) On the Methodology of Structural Analysis in Byzantine and Classical Western Music - A Comparison. In Proceedings of the 4th Conference on Interdisciplinary Musicology, Thessaloniki, 3-6 July 2008.
Cambouropoulos, E. (2008) Voice and Stream: Perceptual and Computational Modeling of Voice Separation. Music Perception, 26(1):75-94.
Rafailidis, D., Nanopoulos, A., Cambouropoulos, E. & Manolopoulos, Y. (2008) Detection of Stream Segments in Symbolic Musical Data. In Proceedings of the International Conference on Music Information Retrieval (ISMIR08), Philadelfia, Pennsylvania, U.S.A.